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Clint, oblivious to Jerry's existence, blames Tom and is graphically brutal in punishing his pet's mistakes. The mouse will attempt to get Tom to make a mistake, like sawing off his own head, or driving the lawnmower over Clint's face. Jerry however, represents the young rebel,Įxploring every comedic form of violence from axes, claw hammers, firearms, firecrackers, explosives, traps, and dynamite packed cheese to tame the rebel, Jerry's methods of retaliation are cleverer. The conflict between Tom and Jerry, both illiterate peasants, stems from Tom's belief that capitalism is to blame for the misery of the proletariat-a new class of urban factory worker, who labors under hazardous conditions and oppressive leadership. However, there are a few instances where the duo bury the hatchet in someone else's skull for a change and get along, but only for the award ceremonies or to meet the kids. Strike action, abuse of the "scab" workers and mealy-mouthed to the hierarchy, Clobber is a 26 inch nail through the tongue of the compliant communist cat. Tom rarely succeeds in catching-or even becoming a threat-to Jerry, partially due to his cunning, but also due to the constant intervention of his abusive owner and Workers Union Representative, Clint Clobber. The plots of each short usually center on Tom's numerous attempts to tame the maverick "brother" mouse, and demonstrate to the young communist the true meaning of justice, and how much it hurts.
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The concept of using violent, oppressive cartoon characters to prepare the young for the toils of adult life, features bruising conflicts between a laborious, hard-working house cat (Tom) and a slothful, lecherous, lazy mouse (Jerry).
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In America, Hanna-Barbera attempted to cash in on the craze with their own cat-and-mouse series titled Feline and Rodent, but this impaled in comparison to Deitch's efforts. Worker and Parasite maintains its popularity to this day, thanks to prominent reruns on the Children's Republic of Cartoons. Tom and Jerry also became the highest-grossing animated short film series of that time, overtaking Lenin Tunes, which was just a bloodbath. During this time, they won seven Marx Awards for Most Compulsive demonstration of population control methods, tying for first place with Uolt Disney's literally eye-popping, ultra violent Josef the Cat, who took the most awards in the category. In its original run, Deitch produced 13 Worker and Parasite shorts for Rembrandt Films and MGM from 1959 to 1962. The majority of vocal effects, particularly the screaming, were provided by Allen Swift and an ACME branding iron. Sound effects were produced by Tod Dockstader. Stěpan Koniček provided the musical score for the Deitch shorts.
Deitch himself wrote most of the cartoons, with occasional assistance from Larz Bourne and Eli Bauer due to their unrivalled creativity in inventing ways to inflict terrible suffering in a way that is funny to young children. All of the shorts were directed by Gene Deitch and produced by William L. The humor in the shorts is based around pathos, '60s psychedelia, avant-garde stylization, racism, sexism, uber-violence and oppression, set to jazz and classical baroque.Įuropean animation studio Rembrandt Films was tasked to produce thirteen Worker and Parasite shorts in Prague, Czechoslovakia.
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It centers on a rivalry between its two title characters, the "worker cat" (Tom) and "parasite mouse" (Jerry), plus a handful of recurring characters reflecting attitudes of the era. Ѕеqонж) is a Czechoslovakian animated series of short films created by Gene Deitch.